Over the past couple of decades or so, there have been a
number of noteworthy creative audio artists from the Italian
electro-acoustic/soundscape/ambient scene, who have produced a large body of
some of the most high-quality music in these genres. Outstanding among them are:
After about a decade of recording and releasing dozens of exquisite
albums, it appears the Oöphoi project has either ended or slowed, but there are
an enormous number of great records to hear from this prolific artist. Down through
the years I’ve bought a large portion of his output – even the re-issues – and this
is music that has weathered the seasons and been able to endure repeated
listening; having that elusive, difficult to describe, and no doubt largely subjective
quality, that can be extremely challenging to achieve as an artist.
Artists that I first became aware of through the Hic Sunt
Leones label, who have also produced consistently beautiful music, and continue,
even with their most recent work, to refine their craft and raise the creative
bar for what may be done in this style.
A long running multimedia project that encompassed electronic
music, video art, photography and graphic design. Just recently it came to
light that the TU M’ project was ended by the artists in January 2012, but
fortunately, they have left a large archive of their audio and visual works available
on their website. Some of the music – and their process – brings to mind the
style of William Basinski, of The Disintegration Loops fame, although the
artists bring their own distinctive expression to the form, which was embodied in
their wonderful record, Monochromes Vol. 1 (2009). Visual Works
A highly prolific and unbroken twenty years of recording and
releasing exquisitely beautiful records – including collaborations with other
incredible artists such as just-intonation composer Robert Rich, Dirk Serries and Mathias Grassow – distinguishes
the artist Stefano Musso, and his Alio Die project, as a creator of one of the
most compelling – and uniformly high quality – bodies of work in the genre.
The music and style of these artists is generally
characterized by the masterful use of acoustic and electronic musical instrument
timbres, field and found recordings, and digital signal processing, which may
often prominently feature phrase and textural repetition through the use – and juxtaposition
of – delay lines (aka looping) of varying time periods.
What is of potential interest about all of these amazing
artists for listeners, musicians and composers who are curious about exploring
the vast expressive frontiers of microtonal and xenharmonic music, is that their
music often features microtonal inflected melodies and electro-acoustic textures
that are far from the pitch grid of the twelve-tone-equal-temperament, although
it is never explicitly stated by the artists that they systematically use
specific alternative intonations (perhaps for the better even if they do). A
good showcase for this kind of sound-world is evident in the latest Alio Die record, Deconsecrated and Pure; a masterwork of exquisite audio art…
Beautiful minimalism all around. Check it out.
Funny as i was just listening to an Alio Die recording on Nextera
ReplyDeleteNextera is a great label, and coincidentally, they released one of my favorite Oöphoi records, Hymns to a Silent Sky (2005). The entire record is great, and the second track, Fragile Beauty, I would rank as perfection.
ReplyDelete